[NOTE: these terms are weaponized language, & meant to give
offense. Which is the whole & compleat point of insult & invective,
obscenity & blasphemy, & other political speech.]
FRENCH: Quel noble sauvage. (s.) ‡
FRENCH: Quels nobles sauvages. (pl.) ‡‡
‡) “What a noble savage…”
‡‡) “What noble savages…”
NOTE: simultaneously a mickey, a piss-take,
& a backhanded complement of the concept of the “Noble Savage”, a concept that flows through the 17th., 18th., 19th., &
20th. C. European encounters with “the Other” of the North
American indigenous cultures, noble by their not having been corrupted by civilization,
admired & fetishised & romanticised, as often as not projecting their
prejudices & ideals, their hopes & fears, rather than really looking at
these cultures, & how these ideas permeated European Civilization, &
how this admiration was variously & contradictorily expressed in the work
of such playwrights, philosophers, (often racist) polemicists masquerading as anthropologists (as well as well-intentioned anthropologist),
painters & novelists as John Dryden,
Thos. Hobbes (Leviathan), Alexander Pope, Paul Hazard, Michel de Montaigne, Bartolomé de la Casas (an
observer of the decimations & genocide of the Conquista who became a
champion of the basic human rights of the North & South American Indians), Jean-Jacques
Rousseau (who is often misquoted & wrongly credited for many of the concepts),
Benjamin Franklin & Thos. Jefferson (who borrowed from the Iroquois peoples
concepts of democratic governance to draft what became the US Constitution, George Catlin (the painter), & Chas. Dickens (who inserted himself into
controversies of the disappearance of the Franklin expedition, joining the racist
chorus of Brits who blamed Inuit cannibalism for their vanishing, when in fact they had been driven mad by lead
poisoning in their canned goods), & even influencing the work of 20th.
C. anthropologists such as Franz Boas, Margaret
Mead & Lévi Strauss (who tried for a balanced view of the indigenous culturesP,
& the novelist Wm. Golding whose novel Lord of The Flies took a hard-arse attitude to any notions
of romantic primitivism & its noble savages, & by filmmaker Stanley Kubrick, who also
took a hard arse in such films as 2001 & Clockwork Orange, & filmmaker Terrence Malick, whose depiction
of the founding of the Jamestown settlement in Virginia & such figures as Capt.
John Smith, Pocahotas & John Rolfe, is closer in spirit to the 17th.
& 18th. C. romantics.
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from curse + berate in 69+ languages, from Soft Skull Press
https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=curse+and+berate+in+69%2B+languages http://softskull.com/?p=271
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